唐代海獸葡萄鏡精品圖片賞析
海獸葡萄鏡多少錢
唐代是我國古代銅鏡發展史上的一個重要時期。唐初期，銅鏡的紋飾主要以海獸為主，海獸鏡比較盛行；唐高宗至唐德宗時期，銅鏡裝飾上出現了新形式、新題材、新風格，富麗絢爛；而唐德宗至晚唐時期，則主要流行對鳥鏡、瑞花鏡、盤龍鏡等。
海獸葡萄鏡，亦稱“瑞獸葡萄鏡”“海馬葡萄鏡”“天馬葡萄鏡”“鸞獸葡萄鏡”。銅鏡上所刻畫的獸形圖案，形象不一，姿態各異，統稱“海獸”。此類鏡裝飾奇異，紋樣充滿神秘色彩，被日本學者稱之為“多謎之鏡”、“凝結歐亞大陸文明之鏡”。“此處的‘海’並不是指它們是海中所產之物，而是指我國古代的一種地域觀念。”謝虎軍說，根據有關專家考證，這些海獸多為頭部大而圓的動物形象，其實就是古代的獅子，古人稱“狻猊（suān ní）”。《爾雅·釋獸》：“狻猊如彪貓，食虎豹。”西漢武帝時期，張騫通西域後，獅子等動物相繼引進中國內地，供貴族享樂。唐鏡圖案中的獅子形象，由於畫域狹小，不能細膩描繪，便採用了粗略的浮雕手法，緊抓獅子誇張的頭部特點，造型生動。
Tang Dynasty is an important period in the development history of ancient bronze mirrors in China。 At the beginning of Tang Dynasty， the decorative patterns of bronze mirrors were mainly sea animals， which were relatively popular。 From Gaozong to Dezong， there were new forms， new themes and new styles in the decoration of bronze mirrors， which were rich and gorgeous。 From Dezong to late Tang Dynasty， bird mirrors， Ruihua mirrors and Panlong mirrors were mainly popular。
Sea animal grape mirror， also known as “auspicious animal grape mirror”， “seahorse grape mirror”， “Tianma grape mirror” and “Luan animal grape mirror”。 The animal shapes and patterns depicted on the bronze mirror are different in image and posture， which are collectively referred to as “sea animals”。 This kind of mirror is decorated strangely and its pattern is full of mystery。 It is called “the mirror of riddle” and “the mirror of condensation of Eurasian civilization” by Japanese scholars。 “The” sea “here does not mean that they are produced in the sea， but refers to an ancient regional concept in China。” Xie Hujun said that according to the research of relevant experts， most of these sea animals are animal images with large and round heads。 In fact， they are ancient lions， which were called “lion dragon” （su‘n í）。 “The lion dragon is like a puma cat。 It eats tigers and leopards。” During the period of Emperor Wu of the Western Han Dynasty， after Zhang Qian had access to the western regions， lions and other animals were successively introduced into the mainland of China for the enjoyment of nobles。 The lion image in the Tang mirror pattern， due to the narrow painting area， can not be described delicately， so the rough relief technique is adopted to grasp the exaggerated head characteristics of the lion， with vivid shape。
唐代海獸葡萄鏡真品圖片賞析 一切以實物為準!
葡萄蔓延的枝條和豐碩的果實象徵著富貴常青，多為吉祥的寓意。因此，海獸葡萄鏡常被作為禮品贈送，再加上銅鏡不僅可以做個架子放在桌子上，還可以在鈕內繫繩掛在牆壁上，使用方便，所以深受人們喜愛。難怪葡萄紋鏡在唐代的銅鏡中無論質量與數量都居首位。
The branches and fruits of grapes symbolize wealth and evergreen， and are mostly auspicious。 Therefore， the sea animal grape mirror is often presented as a gift。 In addition， the copper mirror can not only be made into a shelf and placed on the table， but also can be tied on the wall in the button。 It is easy to use， so it is popular among people。 It is no wonder that the quality and quantity of the bronze mirrors in Tang Dynasty rank first。
雖然海獸葡萄鏡在唐代數量較多，使用廣泛，但也不是所有人家都有。當時，有一定地位的大戶人家或者官宦人家才能使用。現在，人們雖然不用水盆做“鑑”來照面，但是“鑑”又有了更加深廣的文化含義，被引申為檢驗或對照自己的行為。唐太宗李世民曾經說過： “以銅為鏡，可以正衣冠；以人為鏡，可以知得失；以古為鏡，可以見興替。 ”
Although there were a large number of sea animal grape mirrors and they were widely used in Tang Dynasty， not all people had them。 At that time， people with a certain status could only use it。 Now， although people do not use the basin as a mirror， but “mirror” has a deeper and broader cultural meaning， which is extended to test or contrast their own behavior。 Li Shimin， Emperor Taizong of the Tang Dynasty， once said， “with copper as a mirror， you can correct your clothes； with people as a mirror， you can know the gain and loss； with antiquity as a mirror， you can see the rise and fall。”
此件唐代瑞獸葡萄紋銅鏡根據藏友提供的，重量：1230g，直徑：16。3cm，厚底：15mm。圓形，獸鈕，主題紋飾大多分內外二區，由海獸和葡萄枝蔓組成，柔長的枝條，舒展的花葉，豐碩的果實與生動活潑的海獸構成一幅幅妙趣橫生的畫面，而且由於採用浮雕技法，畫面高低起伏，立體感極強。鏡上蔓枝葡萄藤長葉茂、果實累累，幾隻海獸匍匐逐戲其間，這兩個來自域外的物種由鑄鏡師採用高浮雕的技法將它們鐫鑄於銅鏡之上，
不僅在造型上寫實、生動，富有裝飾性，更是一箇中外文化交流碰撞的最好見證。
The Tang Dynasty auspicious animal bronze mirror with grape pattern is provided by Tibetan friends， with weight of 1230g， diameter of 16。3cm and thick bottom of 15mm。 The circle， animal button and theme decorations are mostly divided into two areas： inside and outside。 They are composed of sea animals and grape branches and tendrils。 The soft and long branches， stretched flowers and leaves， rich fruits and lively sea animals form an interesting picture。 Moreover， due to the use of relief techniques， the picture fluctuates in height and has a strong three-dimensional sense。 On the mirror， the vines and vines are long， leafy and fruity， and several sea animals are crawling and playing。 These two species from outside the country are engraved on the bronze mirror by the casting mirror master with the technique of high relief。 They are not only realistic， vivid and decorative in modeling， but also the best witness of the
如今，銅鏡雖然離我們的日常生活越來越遠，但一面面鏽跡斑斑的古銅鏡，印刻著歲月的痕跡。儘管鏡面昔日的光澤已失去，無法映照出面龐，然而銅鏡背面個性的紋飾、銘文卻承載著豐富的歷史文化，以其獨特的藝術魅力見證歷史，極具收藏投資價值。
Nowadays， though the bronze mirror is more and more far away from our daily life， the rusty bronze mirror on one side is engraved with traces of time。 Although the former luster of the mirror has been lost and can’t reflect the face， the individual patterns and inscriptions on the back of the bronze mirror carry rich history and culture， witness history with its unique artistic charm and have great collection and investment value。
目前藏品持有人慾將此罕世難逢珍品結緣於有緣之士，歡迎各位蒞臨本公司賞析實物；廣大收藏家也可以透過公司官網資料庫瞭解詳情。
At present， the owner of the collection wants to associate this rare treasure with the people who are destined for it。 You are welcome to visit our company for appreciation。 The majority of collectors can also learn the details through the art database on our company‘s official website and Yachang’s official website。
